💰 Casino Versus Japan & Freescha Tour Dates , Concert Tickets & Live Streams | Bandsintown

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Casino Versus Japan (sometimes Casino vs. Japan) is the recording name for Erik Kowalski a United States-based musician who works in electronic music.


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Casino Versus Japan (sometimes Casino vs. Japan) is the recording name for Erik Kowalski a United States-based musician who works in electronic music.


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Casino Versus Japan (sometimes Casino vs. Japan) is the recording name for Erik Kowalski a United States-based musician who works in electronic music.


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All of it, though, is a far cry from the muddier world of Frozen. Clocking in at just over three hours and made up of 80 tracks, the double cassette and digital album is a beautiful data dump—a soothing, enshrouding journey of processed guitar and tape hiss. I like talking to people who have nothing in common with me and know nothing about me. As calming as Frozen can often be, it also transmits feelings of isolation and solitude. Bandcamp Daily.

Casino versus japan tour browse results titled :. Along the way, the sound of Casino Versus Japan evolved markedly with each new release. Explore music. Still, Kowalski never made music a serious pursuit until he was in his 20s, when he was under the deep influence of Flying Saucer Attack, Third Eye Foundation, and the albums being released on Kranky Records.

It was like this world we lived in that we created for ourselves. Electronic avant-garde.

A huge chunk of those songs sketches make up the latest Casino Versus Japan release, Frozen Geometry. Initially, those creative pursuits were writing and drawing, but around the age of 13, he started dabbling with keyboards and discovered guitars a few years later. Frozen Geometry Casino Versus Japan. That, to me, is inspirational. While Erik Kowalski has recorded and performed ambient experimental music for nearly 20 years—initially as Radiogate, but most notably under the moniker Casino Versus Japan—not much is known about him. We had a tight group that worked together and fed off each other. He eventually fell in with that community of Milwaukee-based musicians, collaborating with post-rock group Charles Atlas and releasing his first recordings on local label Star Star Stereo. While his public profile—such as it was—went dark during that time, Kowalski continued to work, sketching out ideas for tracks on his guitar and putting them aside for future use. Casino Versus Japan. Some tracks are brief, reducing the approaches of guitarists like Robin Guthrie of Cocteau Twins and Vini Reilly of The Durutti Column to excursions that last less than a minute. Whatever it was, he says he got through it, in part, by taking lots of walks, listening to his latest creations. Is that necessary? I never got over that even as an adult. He alludes to a rough period he went through during those six years between albums, hinting at issues with anxiety and depression. Am I gonna throw a drum loop over this, or a keyboard over this?